A tonic after two days of Dead Baby Art
The Lord Is My Shepherd, Eastman Johnson, 1863 Yesterday Jane Bartlett sent thisto serve as a tonic for the two days I spent thinking about what she called Dead Baby Art. Another artist, Kristine Greenizen, calls it Damien HirstSteak Spectacular: spectacle that has little about the craft and thought of art in it. To our modern eyes, […]